When I visited the Chicago Music Exchange, I found my new measuring stick. You know what I’m talking about. That guitar that you would really like to purchase, but really shouldn’t. It plays great. It has a great sound. It feels fantastic.
And it is technically not where your money should be going.
So it becomes your measuring stick. Do I want to spend money on this new clutch for my car or would I rather have the 1964 Guild Starfire III? New clutch.
Would I rather have my kids’ college educations funded or the 1964 Guild Starfire III?
Would I rather have a new amp or the 1964 Guild Starfire III?
Would I rather go on vacation with my family or have the 1964 Guild Starfire III?
Would I rather buy my wife’s new gaming rig for Fallout4 or have the 1964 Guild Starfire III?
Would I rather have a my mortgage paid or a 1964 Guild Starfire III?
The questions and comparisons just keep on coming. Sometimes the answer is no. Sometimes the answer is yes. But I find that the chance to get a “new” guitar is stopped with the desire to live and pay for the rest of everyday life. I have a lot of guitars. I have had more. I play the guitars I have, and enjoy them immensely. But I also go days without playing the guitars I have. However, I do drive my car with the new clutch a lot. I do live in my house on a fairly regular basis. I do go on vacation from time to time. I do love my kids. My wife built an amazing computer for playing Fallout 4!
So what is your measuring stick? And when does it win? Should it?
A few weeks ago I purchased a Strymon Flint reverb and tremolo pedal at Chicago Music Exchange.
And now it is part of my pedalboard!
As I have mentioned or described in the past, I had an Electro Harmonix Stereo Pulsar tremolo and EHX Holy Grail reverb that I got for cheap at a local thrift shop. The reverb just didn’t do it for me in the long run and as much as I liked the trem, it just wasn’t something I used a lot. And that is a lot of pedal board real estate. But my ModTone Vintage Analog Delay was not working as a reverb in the long run either. So I splurged and got the Flint after trying it with a bunch of other reverb pedals. It is fairly high price, but I justified it by getting a tremolo in the same unit. I would’ve spent the same amount of money on separate reverb and tremolo pedals anyway. Right? Right!
In order to keep my other pedals, including the looper/feedback modified OhHoNo pedal that currently has nothing in the loop, I took off my tuner. I haven’t noticed a big difference in the sound without the buffer that was in the tuner, but I am loving having dedicated reverb and tremolo back on my pedalboard. Combine that with my POG2 and the two delays with my volume pedal and I am having a blast with ambient swells and oceans of echo and reverb underneath what I am playing!
Or I can just go with the tremolo and feel it wash through whatever chords I’m playing.
And having a warm reverb is just incredible for those occasional blue notes that I hit just right!
I do need to put it on a wood block to raise up the pedal for the back row and to keep the pedal velcroed in place without putting velcro on the pedal. And eventually I’ll build a tap tempo pedal for controlling the trem. But I don’t know where that will be kept on the board. Things are a bit crowded. 🙂
In my attempts to get back into blogging here on a regular basis, I bought a new tuner. Here is the box.
Here I am opening the box.
Gotta put the battery in.
Now I use it on everything in the house! Did you know my son vibrates at A sharp?
The Polytune clip on is pretty nice. It has a few negatives with the tuner not being able to rotate on the clip. It folds in and out, but rotation would allow me to set it exactly how I want. But the reality is that it is very accurate. And it works very quickly. It is bright. I generally use the single note tuner on each string and then use the polytune to see how all the strings interact with each other.
It looks like I will be taking my Boss TU-2 Tuner pedal off my pedalboard. Maybe I’ll add a reverb? Future post topic? Probably!
I haven’t blogged in a while because life seems to be getting in the way of typing. But that’s ok, because I’m alive and I’ve been playing this!
I’ll get back into the habit of blogging. I’ve got pictures to share from the last Seattle Tacoma guitar show. I’ve been having fun with music. Things are going well!
I did it! I pulled the trigger on a hollow body guitar and I ended up with the 1973 Fender Coronado II at my local guitar shop.
It has a fender neck, but it has what can only be described as a Gretch body. And those pickups are loud! It will need a fret job in the future, but most of my guitars are getting to that point. I like low frets.
And the set up from my local shop is spot on. I am very happy with it. However the pickups make me want to replace the Gibson 490’s in my 62 SG Jr with some sort of dog eared P-90’s so it goes back to the SG Jr it originally was (or the SG Special I wish it was).
But enough about my other guitars. This is all about the new to me Coronado II. It plays well through my Franzel Super Champ Sportster. It is certainly a feedback machine, but I can minimize that with body placement and volume control.
Enjoy the pictures because I’m enjoying the guitar!
My friend has an old Silver Cadet by Ibanez from a long time ago.
It has been sitting in a really cool looking hard shell case for years with a broken high E string and a lot of cat hair. Because I am always looking for guitar projects, I offered to clean it and set it up.
And so it begins. Strings off. Next is cleaning everything. Putting it back together. Complete set up. Wish me luck!
I’ve noticed this one during past visits to one of my local guitar shops, but hadn’t played it until this week. I really liked it!
The neck is well worn and the whole thing rings out when I play it. I really liked it! Oh, man. How does this compete with my desire for some form of a Gibson ES-125TDC? Let’s not even talk about the almost identical Hagstrom! Both are hollow bodies. Both sound good with their interesting versions of single coils (historic P-90’s versus unique DeArmond pickups ). One was a budget level student guitar and the other was a premium flag ship attempt. Both look really cool! However, they do not fall in the same price range.
We shall see what happens!
My family and I went camping with friends. We had a great time. Our kids played together. We stayed up late in the evening chatting around the campfire. It would’ve been perfect for my old garage sale acoustic guitar. But I didn’t bring it.
Because in all reality, it wouldn’t have been perfect. No one was there to sing. No one was there to hear me noodle on the guitar. They were there to relax. To roast marshmallows. To make s’mores. To go hiking and swimming.
But these friends are nice. So one night as we are sitting around the campfire and the kids had already gone to bed, one of my friends asked what my current dream guitar is.
Just asking that question in that way…”current dream guitar” shows great insight. So I described how much I love my light and thin SG. I described how much I love my chambered Warmoth strat with the Firebird neck. I explained the recent love for full hollow body, but thin line guitars. Then I described a thinline strat with the back contour that I may need to have someone make for me someday!
The rest of the group moved on with their discussions, but this friend and I enjoyed our conversation. He described his dabbling with guitar when he was young, but stopped because his guitar just didn’t seem set up right. We laughed about how much depth there is to this topic, just like any topic you really care about.
And then we joined the rest of the conversation and moved on to other topics.
But it was a nice reminder of how much I love this stuff!
A while back I posted a bunch of pictures of guitars I saw at the Tacoma Guitar show. There was one guitar that I didn’t know the maker of at the time. It was a cool mix of carbon fiber, steel, and wood. I compared it to a Parker Fly that was also at the show.
I finally cleaned up the bag of picks and magazines and ads I got from the show and found the business card of the maker of the unknown guitar. It was Letain Guitars. I went to the Letain website and saw this!
Isn’t this an amazing guitar? I think it is incredible. I hope Letain Guitars doesn’t mind me resizing and reposting these pictures from its website here. The only question is whether it is semi-hollow or fully hollow.
Ok, there are a few other questions. What does the neck profile feel like? What scale is it? How does it sound? How does it play? etc. I am very curious about this guitar and the possibility of having a modernized version of a Gibson ES-125TDC custom built. That would be very cool!
I finally made it up to Mike and Mike’s Guitar Bar in the Seattle area. They have a very eclectic shop that needs to be visited regularly to truly be taken advantage of.
Thankfully social media and online selling forums (I’m looking at you Reverb.com) make that possible!
During my visit I saw a lot of cool guitars and amps, but this student model Epiphone caught my eye almost immediately.
It is the same thing as the Gibson ES-120T (probably made in the same factory, but I haven’t researched that so don’t take my word for it) that I have been lusting after in my local shop. Except that all the plastic is white (not my favorite) and the burst is the best one I have seen on these guitars. There is something about an amber burst that just makes me swoon!
I plugged it in and enjoyed playing it, but that single coil was noisy. I didn’t get it, but once again, I’m getting a better sense of what I like!